Der Kopf ist rund exhibition installation view

Klaus in Vorarlberg / 2026

Der Kopf ist rund, damit das Denken die Richtung wechseln kann

Galerie Brugger

May 22 — June 01, 2026

Axial-Core

Leo Pum @La Térmica, Málaga KRVCE festival

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Lladó / 2026

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XOLO CUINTLE

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/ 2026

BUNNY BUNKER NO.1

DEW KIM

@dew_needs_you

Shanghai / 2026

TECHNO WORLDS — FINAL SAMPLING

Power Station of Art

ISABELLE ALBUQUERQUE

@isabellealbuquerque

Brescia / 2026

IMPOTENZA

Palazzo Monti

KOESY

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Lima / 2026

YOU CAN'T STOP THE WORLD FROM BEING BAD

Galería Gato

KIM MYUNGCHAN

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Cergy / Paris / 2026

NIKE, TA MÈRE (WILL FALL ON YOU)

ENSAPC / CROUS Paris

YUKINO YAMANAKA

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Düsseldorf / 2026

DON'T TRUST THE RABBIT

SSK Düsseldorf

ANNA UDDENBERG

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Brno / 2025

LOVE

Zaazrak|Dornych

00 ZHANG

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/ 2024

EXTERNAL CRYOGENICS

Hyperlink Athens

YIHAN PAN

@pyhii

London / 2024

TOTAL INTERNAL REFLECTION

Zerui G

EMMA BEATREZ

@emma.beatrez

Innsbruck / 2025

TIPPING POINT PHANTOMS

Künstlerinnenvereinigung Tirol

SOPHIA GATZKAN

@s_gatzkan

New York / 2025

LUCA

Management NYC

JACOPO PAGIN

@pax_aliena

Busan / 2025

AFTERLIFES

Hongti Artcenter

DORIS SALCEDO

#DorisSalcedo

Munich / 2026

MOTIONS TO UNFURL

Gallery Thetigerroom

YEON GYEONG-SEOK

@camelostrich

Paris / 2026

MAIN DE FER, GANT DE VELOURS

Association NOEMI — Espace Brownstone

NATHAN CARÊME

@nadaecc

Nurnberg / 2026

LIMINALITY

Adbk Nuernberg

ARGHAVAN KHOSRAVI

@arghavan_khosravi

/ 2025

SWEET WORLD 1

Sweet World Gallery

QUE.FRESCA

@que.fresca

Norwich / 2026

AS THE SAP RISES

OUTPOST

Santiago / 2026

RAMA TORCIDA

MAC — Museo de Arte Contemporáneo

Paris / 2026

NEXUS, OPEN STUDIO

Cité internationale des arts

Tisbury / 2026

FLOOD

Messums West

Berlin / 2026

FIGHT OR FLIGHT: SEX

Kunstquartier Bethanien

Málaga / 2026

AXIAL-CORE

La Térmica (KRVCE festival)

Paris / 2026

WHAT WE SEE, WHAT LOOKS BACK AT US

Emergency Space

Klaus in Vorarlberg / 2026

DER KOPF IST RUND, DAMIT DAS DENKEN DIE RICHTUNG WECHSELN KANN

Galerie Brugger

Triangle reshapes the O of my mouth exhibition view

Munich / 2026

TRIANGLE RESHAPES THE O OF MY MOUTH

Sperling

Turin / 2026

OLD SNAG

Société Interludio

Mexico City / 2026

AXES

Alvarez Chida

Oslo / 2026

STIAN EIDE KLUGE AT ROTHHAUS, KUNSTNERNES HUS, OSLO

Kunstnernes Hus (Rothaus)

New York / 2026

ACTUALIZATION MACHINE

Silke Lindner

PROFUSION ANTAGONIST WISHLIST exhibition view

Düsseldorf / 2026

PROFUSION ANTAGONIST WISHLIST

PAW

Kraków / 2025

WHEN DOORS CLOSE, WALLS RISE

Jak Zapomnieć Gallery

Shanghai / 2025

A BLADE UNHELD

Galerie Dengyun

Brussels / 2025-2026

WORK OF PROOF

FLⒶT$

/ 2024

METEMPSYCHOSIS: THE PASSION OF PNEUMATICS

Schinkel Pavillon

Tartu / 2024

ENTER WOODLAND SPIRITS

Estonian Literary Museum and the University of Tartu Natural History Museum

Wroclaw / 2024

EUTROPHY

Bulvary

Stockholm / 2024-2025

DIALECTS OF THE DEEP

Bonniers Konsthall

Geneva / 2024

DOWN THE RABBIT HOLE, 2024

Halle Nord Geneve

Paris / 2025

TISSU EXPANSÉ

Europa NYC

Santiago / 2025

ENCUENTRO

Sagradamercancia

Warsaw / 2025

THE LAST DRAWER ON THE LEFT

Przeciag Galeria

FANTASY VANISHES IN FLESH exhibition view

Milan / 2025

FANTASY VANISHES IN FLESH

Francesca Minini

Berlin / 2025

WEAVING BACK TO COMMON GROUNDS

ACUD Galerie

Dornbirn / 2026

BUCOLICA

Kunstraumdornbirn

Seoul / 2025-2026

GROWING BODY

Studiya Gallery

Seoul / 2025

MASSAGE PLATZ

Shower

Warsaw / 2026

PARACHUTE

Przeciag Galeria

Seoul / 2026

MIMICKING ETERNITY

Studiya Gallery

Offenbach am Main / 2026

CALL SOMEONE

Ayayay

Białystok / 2025

PARADISE ROT

Galeria Arsenal

TAEWON AHN

@ppuri_

Münster / 2026

THE SPIRIT IS WILLING BUT THE FLESH IS WEAK

Leonardo-Campus Münster

Vilnius / 2026

SUBSURFACE

MO Museum

Brno / 2026

ANCIENT GIRL STARTER PACK

Galerie Mladých, TIC

Avigliana / 2026

I SEE YOU FALLING IN MY DEN

Una Boccata d'Arte 2026

Shanghai / 2026

THE ROOM IS EMPTY, BUT PREGNANT

Capsule Shanghai

Copenhagen / 2026

AFTER THE OFFERINGS

inter.pblc

Ciudad de México / 2026

TÁNTALO

Biblioteca Vasconcelos

Angers / 2026

THE STASIS GARDEN (OR PIXIES MEMORIES)

Ville d'Angers (Château d'Angers)

Genk / 2026

JOY RIDE

Jester

Kraków / 2026

PASSENGER

Szaber Gallery, Kraków, Poland

Vienna / 2026

TERRITORIES OF EXTRACTION

Arka Arka

Poznań / 2026

TANGLED IN SHADOWS FROM AN OLD DRAWER

Łęctwo

Warsaw / 2026

HAUS DER LÜGE

Przeciąg Gallery

Tokyo / 2026

THE BEAUTIFUL REMAINS

Kohtoh

Edges that blur, bodies that fold into something other exhibition view

Berlin / 2025

EDGES THAT BLUR, BODIES THAT FOLD INTO SOMETHING OTHER

ACUD

Göteborg / 2025

TOMORROW'S FORECAST, WHITE CLOUDS GREY DOGS

Galleri Box

/ 2023

KASSANDRA

Kunsthalle Ost

Lisboa / 2023

A CERTAIN INSTANCE OF VERRITION

Leal Rios Foundation

Vilnius / 2024

KETEROS

Meduza Fyi

Prague / 2024

PETRICHOR

Prám

Jung-gu, Seoul / 2025

FARM

Bio Gallery

Ljubljana / 2025

TAR STAR

Cukrarna Art

Bratislava / 2025

DISTANT, ENDLESS HUM

Vunugallery

/ 2025

THE ROOM I

Ifö Center

Bratislava / 2025

BEGONE ESTRONE

Medium Gallery

Kraków / 2025

CRASH PÆNDEMONIA

Jak Zapomniec

Milan / 2025

MYTHS FROM SMOLDERING SKIES

Limbo Contemporary

DOUBLED PRESENCE IN A DISEMBODIED SPACE exhibition view

Graz / 2026

DOUBLED PRESENCE IN A DISEMBODIED SPACE

Trost Spc

Prague / 2026

SOFT_SIGHS SYNTHESIS

Clauda Cz

London / 2026

EVEN SPECTRES CAN TIRE

Xxijra Hii

Buenos Aires / 2026

COAGVLA

Acéfala Galería

Sardinia / 2026

BLUE BLOODED

Museo Nivola

Berlin-Schöneberg / 2025

PRESENCE BY PROXY

Schutzenverein

Seoul / 2025

TACTICS FOR AN ERA (GROUP SHOW)

K&L Museum

Helsinki / 2026

DOG AND ANGEL

SIC

/ 2026

MOUTH

Warsaw / 2026

A FLOWER IS GROWING INSIDE ME

Piktogram

Seoul / 2026

BETWEEN REALITY AND THE VIRTUAL

Brussels / 2026

CALL ME GRAVITY

WIELS Contemporary Art Centre

Seoul / 2026

TANGERINE REVERIE

Bangdo

Paris / 2026

NYMPHENBRUNNEN

Espace Nonono

24 Preludes, Op. 34: No. 22 in G minor (Adagio) exhibition view

Seoul / 2026

24 PRELUDES, OP. 34: NO. 22 IN G MINOR (ADAGIO)

Studiya Gallery

London / 2026

FAULT LINES

Public Gallery

Everything comes together while pushing all apart exhibition view

Vienna / 2026

EVERYTHING COMES TOGETHER WHILE PUSHING ALL APART

Reaktor Wien

WHO COMPOSES THE SONG OF THE CRICKETS? exhibition view

Paris / 2026

WHO COMPOSES THE SONG OF THE CRICKETS?

Galerie Suzanne Tarasieve

Munich / 2026

DOUBLE STAR

nouveaux deuxdeux

Bucharest / 2026

DISLOCATION

Arsmonitor

Warsaw / 2024-2025

GRASS ON ROADSIDE 4

Przeciąg Gallery

New York City (NY) / 2025

EXUVIAE

Management

Incommunicability is itself a source of pleasures exhibition view

Brescia / 2025-2026

INCOMMUNICABILITY IS ITSELF A SOURCE OF PLEASURES

The Address

/ 2024

BIDIM BLO!

Basisfrankfurt

/ 2023

THE WORM AT THE CORE

SET

Budapest / 2024

SKELETAL SCENES

Ani Molnár Gallery

London / 2024

LIMO

The Split Gallery

Milan / 2025

FALENE

Limbo Contemporary

LUNAR ENSEMBLE FOR UPRISING SEAS exhibition view

Barcelona / 2024-2025

LUNAR ENSEMBLE FOR UPRISING SEAS

Macba Barcelona

Milan / 2025

METAL MEMORY

Limbo Contemporary

Berlin / 2025

GREEN GROWTH

Kuenstlerhaus Bethanien

Århus / 2025

JUST ABOUT AND NEVER

SpLab

Paris / 2025

PARADE

Romeropaprocki

Berlin / 2025

THRESHOLDS

Carlier | Gebauer

Seoul / 2026

THE COLLAPSE MANUAL_THE POST-HUMAN FIELD (GROUP SHOW)

Aod Museum

Leipzig / 2026

MOONLIT BOTANICAL COLOUR THEORIES

Jochen Hempel

Dornbirn / 2026

47°24’35’’N / 9°44’20’’E

Kunstraum Dornbirn

Vorarlberg / 2026

SUPPORTED FILES

Galerie Brugger

Paris / 2026

CHEWING GUM IN THE MOTHERBOARD

La Volonte 93

/ 2025

LOST ENCOUNTERS, THEY CLING

PARALLEL VIENNA

Seoul / 2025

THIRD SKIN

Dive Seoul Art

Suwon / 2026

THE CREEPER IN THE DUSK

Gosaek Newseum

Hurup / 2026

THE JEWEL BOX

Kunsthal Thy

/ 2026

FROM AN UPCOMING SERIES

Olomouc / 2026

SIGNAL V

Telegraph Gallery

Prague / 2026

ROT SUMMER

Holešovická šachta

Ethereal Robes of Vulnerability exhibition view

Vilnius District Municipality / 2026

ETHEREAL ROBES OF VULNERABILITY

Aikas Žado Laboratory (Žeimiai Manor House)

Słupsk / 2026

A GENTLE KISS ON A DOUBLE FOREHEAD

BGSW / Baszta

Poznań / 2026

WE ARE DEEPLY ALARMED AND EXPRESS OUR GRAVE CONCERN

DOMIE

Poznań / 2026

MAKE ME YOURS

Łęctwo

Brussels / 2026

FIRST DATE

Lodovico Corsini

Berlin / 2026

CAGED MOVEMENTS

NADAN Berlin

Istanbul / 2026

ROOTKIT

BENTA

Ljubljana / 2026

ACCOMPLICE

Cukrarna

Montpellier / 2025

METEMPSYCHOSIS

MO.CO. Montpellier Contemporain

London / 2025

CHOICE DIRT

Xxijra Hii

Lisbon / 2025

THE STAGES OF GRIEF

PADA Studios

/ 2024

TRANSPARENCY REPORT

Shanghai / 2024

CONTEMPT

Capsule Shanghai

Berlin / 2023

HUMAN IS

Schinkel Pavillion

/ 2025

DEEP SEA FISH

Diesel Art Gallery

Berlin / 2025

THE NEOLIBERAL URGE TO CURATE A FRIENDSGROUP

ACUD Galerie

Vienna / 2025

SWEET GARDEN OF VANISHED PLEASURES

dieAngewandte

Arnsberg / 2025

VITALS VAPORS

Kunstverein Arnsberg

Hamburg / 2025

DIE SPRACHE DER VÖGEL

Westwerk Hamburg

Prague / 2025

WITH FEATHERS AND FLESH

Holešovická Šachta

Seoul / 2026

THE LANGUAGE OF THE ENEMY

Artsonje Center

London / 2025

THE SIGNAL. THE NOICE

Greatorex Street E1

Berlin / 2026

COMMON LANDSCAPE(S) (GROUP SHOW)

ACUD Galerie

Dortmund / 2026

CALL ME WE

SUPERRAUM

Kraków / 2026

THE SHAPE OF A SCAR

Bonifraterska 3/1

Lisbon / 2026

LULLABY BLOSSOMS

Cosmos CAC

AUSSERKÖRPERLICHE ERFAHRUNG: WANDERING SPIRIT exhibition view

New York City / 2026

AUSSERKÖRPERLICHE ERFAHRUNG: WANDERING SPIRIT

Management NYC

Paris / 2025

PULSES WITHIN

Ds Galerie

Madrid / 2025

DESIRING MACHINES

RÍO & MEÑAKA

LONDON, UNITED KINGDOM / 2025

CHOICE DIRT

Xxijra Hii / Richard Dean Hughes

In Choice Dirt, Richard Dean Hughes offers a meditation on the raw material of existence. Deliberately ambiguous, the title evokes a terrain both literal and conceptual: dirt as the ground beneath our feet, but also as a vessel of legacy, conflict, spirituality, longing. It is where things begin and where they are buried.

This new body of work delves into our deeply human desire to find place, to make choices and to question their consequences. Sculptures appear caught between states of emergence, erosion, suspense - as if always in the process of becoming. Hughes explores how history and the present collide, allowing sculpture and light to carry the weight of both. The result is a shifting archaeology of lived experience, one that questions not just where we are, but how we got here and whether we are truly home.

Light plays a crucial role in the exhibition acting not as embellishment but as a structuring force. In Embering, illumination becomes time itself - flickering between mortality and memory, touching on the unfinished as a site of emotional truth. The work draws upon Michelangelo’s Bandini Pietà, a sculpture intended for the artist’s own tomb, left incomplete and later deliberately damaged in an act of personal frustration. That raw emotion - of a master confronting decline, doubt, and impermanence - echoes through Hughes’ treatment of the piano as both relic and portal. A sense of mortality settles quietly into an object made for resonance. The piano, with its potential for beauty and song, becomes a site for reflection - its presence domestic, but its atmosphere spiritual. Light moves through it as though passing through the oak it was once carved from; conjuring a vision of the tree alive and casting time in overlapping moments. The work connects the past, present and the self: inviting the viewer into the role of ancestral witness - someone who feels history not as something distant, but as something internal and continuous. This experience links us to places we’ve never stood and lives we somehow remember.

Elsewhere, in works like Super Tuscan and Soltrace, the body, vessel and landscape blur. Hughes’ hallmark vessels reference amphorae. Weathered and dislocated yet transformed through contemporary processes rooted in ancient function. Masks trace the physical effects of imagined journeys evoking both the tourist and the time-traveller, the fertility figure and the fractured self. Super Tuscan draws the viewer into the space with an active and directional force, passing through the mask and into the portals of Embering. These forms do not arrive or depart - they hover, held in suspension and hinting at movement without closure or cessation.

Tundra and I Don’t Know Clouds at All examine what it means to endure across landscape and time. In Tundra, a baguette becomes a site of tension, marked by exaggerated drops that suggest decay, digestion and desire just beyond reach. Its cracked surface resembles a scorched or frozen terrain, evoking a topographic map of an inhospitable landscape. Inspired by depictions of food in Mantel’s Wolf Hall, the work speaks to human hunger, not only for sustenance but for connection and power. I Don’t Know Clouds at All extends these ideas into a colder, more atmospheric register. Resting on a plane of newspaper and surrounded by leaves, it draws from the same logic of written history; markers that attempt to locate us in time and place. Both works navigate landscapes shaped by absence, where material and language operate as codes for what we long for but can’t fully hold.

Hughes’ practice persistently engages with dualities: objects that are made and unmade, forms that are at once domestic and sacred, ideas that are solid yet speculative. Across the exhibition, there’s a sense of psychic excavation and a search for grounding within the unstable. Themes of legacy, ancestry and anxiety thread throughout the work, reflecting a world in flux and a deep internal grappling with belonging, purpose and time.

Choice Dirt offers a space where time feels unstable and existence blurs. Memory shapes the ground and the pull of what might have been sits quietly beneath the surface. It’s a place where meaning is never fixed and reinvention feels both necessary and inevitable. Hughes does not provide fixed answers, instead he cultivates a space where the weight of the past and the uncertainty of the present coexist and where meaning seeps in slowly, like water through earth.

Choice Dirt installation view 2 — Installation view. Photo: Corey Bartle-Sanderson

Choice Dirt installation view 3 — Installation view. Photo: Corey Bartle-Sanderson

Choice Dirt installation view 4 — Installation view. Photo: Corey Bartle-Sanderson

Choice Dirt installation view 5 — Installation view. Photo: Corey Bartle-Sanderson

Choice Dirt installation view 6 — Installation view. Photo: Corey Bartle-Sanderson

Choice Dirt installation view 7 — Installation view. Photo: Corey Bartle-Sanderson

Choice Dirt installation view 8 — Installation view. Photo: Corey Bartle-Sanderson

Choice Dirt installation view 9 — Installation view. Photo: Corey Bartle-Sanderson

Choice Dirt installation view 10 — Installation view. Photo: Corey Bartle-Sanderson

Choice Dirt installation view 11 — Installation view. Photo: Corey Bartle-Sanderson

Choice Dirt installation view 12 — Installation view. Photo: Corey Bartle-Sanderson

Choice Dirt installation view 13 — Installation view. Photo: Corey Bartle-Sanderson

Choice Dirt installation view 14 — Installation view. Photo: Corey Bartle-Sanderson

Choice Dirt installation view 15 — Installation view. Photo: Corey Bartle-Sanderson

Choice Dirt installation view 16 — Installation view. Photo: Corey Bartle-Sanderson

Choice Dirt installation view 17 — Installation view. Photo: Corey Bartle-Sanderson

Choice Dirt installation view 18 — Installation view. Photo: Corey Bartle-Sanderson

Choice Dirt installation view 19 — Installation view. Photo: Corey Bartle-Sanderson

Choice Dirt installation view 20 — Installation view. Photo: Corey Bartle-Sanderson

Choice Dirt installation view 21 — Installation view. Photo: Corey Bartle-Sanderson

Choice Dirt installation view 22 — Installation view. Photo: Corey Bartle-Sanderson

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