Der Kopf ist rund exhibition installation view

Klaus in Vorarlberg / 2026

Der Kopf ist rund, damit das Denken die Richtung wechseln kann

Galerie Brugger

May 22 — June 01, 2026

Axial-Core

Leo Pum @La Térmica, Málaga KRVCE festival

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YEON GYEONG-SEOK

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MAIN DE FER, GANT DE VELOURS

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AS THE SAP RISES

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RAMA TORCIDA

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NEXUS, OPEN STUDIO

Cité internationale des arts

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FLOOD

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FIGHT OR FLIGHT: SEX

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AXIAL-CORE

La Térmica (KRVCE festival)

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WHAT WE SEE, WHAT LOOKS BACK AT US

Emergency Space

Klaus in Vorarlberg / 2026

DER KOPF IST RUND, DAMIT DAS DENKEN DIE RICHTUNG WECHSELN KANN

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Triangle reshapes the O of my mouth exhibition view

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TRIANGLE RESHAPES THE O OF MY MOUTH

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OLD SNAG

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AXES

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STIAN EIDE KLUGE AT ROTHHAUS, KUNSTNERNES HUS, OSLO

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ACTUALIZATION MACHINE

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PROFUSION ANTAGONIST WISHLIST

PAW

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WHEN DOORS CLOSE, WALLS RISE

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A BLADE UNHELD

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WORK OF PROOF

FLⒶT$

/ 2024

METEMPSYCHOSIS: THE PASSION OF PNEUMATICS

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ENTER WOODLAND SPIRITS

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EUTROPHY

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DIALECTS OF THE DEEP

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DOWN THE RABBIT HOLE, 2024

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TISSU EXPANSÉ

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ENCUENTRO

Sagradamercancia

Warsaw / 2025

THE LAST DRAWER ON THE LEFT

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FANTASY VANISHES IN FLESH exhibition view

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FANTASY VANISHES IN FLESH

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WEAVING BACK TO COMMON GROUNDS

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Dornbirn / 2026

BUCOLICA

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GROWING BODY

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MASSAGE PLATZ

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PARACHUTE

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MIMICKING ETERNITY

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CALL SOMEONE

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PARADISE ROT

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TAEWON AHN

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THE SPIRIT IS WILLING BUT THE FLESH IS WEAK

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SUBSURFACE

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ANCIENT GIRL STARTER PACK

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Avigliana / 2026

I SEE YOU FALLING IN MY DEN

Una Boccata d'Arte 2026

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THE ROOM IS EMPTY, BUT PREGNANT

Capsule Shanghai

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AFTER THE OFFERINGS

inter.pblc

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TÁNTALO

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Angers / 2026

THE STASIS GARDEN (OR PIXIES MEMORIES)

Ville d'Angers (Château d'Angers)

Genk / 2026

JOY RIDE

Jester

Kraków / 2026

PASSENGER

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TERRITORIES OF EXTRACTION

Arka Arka

Poznań / 2026

TANGLED IN SHADOWS FROM AN OLD DRAWER

Łęctwo

Warsaw / 2026

HAUS DER LÜGE

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THE BEAUTIFUL REMAINS

Kohtoh

Edges that blur, bodies that fold into something other exhibition view

Berlin / 2025

EDGES THAT BLUR, BODIES THAT FOLD INTO SOMETHING OTHER

ACUD

Göteborg / 2025

TOMORROW'S FORECAST, WHITE CLOUDS GREY DOGS

Galleri Box

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KASSANDRA

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Lisboa / 2023

A CERTAIN INSTANCE OF VERRITION

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KETEROS

Meduza Fyi

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PETRICHOR

Prám

Jung-gu, Seoul / 2025

FARM

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TAR STAR

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DISTANT, ENDLESS HUM

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THE ROOM I

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BEGONE ESTRONE

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CRASH PÆNDEMONIA

Jak Zapomniec

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MYTHS FROM SMOLDERING SKIES

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DOUBLED PRESENCE IN A DISEMBODIED SPACE exhibition view

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DOUBLED PRESENCE IN A DISEMBODIED SPACE

Trost Spc

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SOFT_SIGHS SYNTHESIS

Clauda Cz

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EVEN SPECTRES CAN TIRE

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COAGVLA

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BLUE BLOODED

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PRESENCE BY PROXY

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TACTICS FOR AN ERA (GROUP SHOW)

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DOG AND ANGEL

SIC

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MOUTH

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A FLOWER IS GROWING INSIDE ME

Piktogram

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BETWEEN REALITY AND THE VIRTUAL

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CALL ME GRAVITY

WIELS Contemporary Art Centre

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TANGERINE REVERIE

Bangdo

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NYMPHENBRUNNEN

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24 Preludes, Op. 34: No. 22 in G minor (Adagio) exhibition view

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24 PRELUDES, OP. 34: NO. 22 IN G MINOR (ADAGIO)

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FAULT LINES

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Everything comes together while pushing all apart exhibition view

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EVERYTHING COMES TOGETHER WHILE PUSHING ALL APART

Reaktor Wien

WHO COMPOSES THE SONG OF THE CRICKETS? exhibition view

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WHO COMPOSES THE SONG OF THE CRICKETS?

Galerie Suzanne Tarasieve

Munich / 2026

DOUBLE STAR

nouveaux deuxdeux

Bucharest / 2026

DISLOCATION

Arsmonitor

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GRASS ON ROADSIDE 4

Przeciąg Gallery

New York City (NY) / 2025

EXUVIAE

Management

Incommunicability is itself a source of pleasures exhibition view

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INCOMMUNICABILITY IS ITSELF A SOURCE OF PLEASURES

The Address

/ 2024

BIDIM BLO!

Basisfrankfurt

/ 2023

THE WORM AT THE CORE

SET

Budapest / 2024

SKELETAL SCENES

Ani Molnár Gallery

London / 2024

LIMO

The Split Gallery

Milan / 2025

FALENE

Limbo Contemporary

LUNAR ENSEMBLE FOR UPRISING SEAS exhibition view

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LUNAR ENSEMBLE FOR UPRISING SEAS

Macba Barcelona

Milan / 2025

METAL MEMORY

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Berlin / 2025

GREEN GROWTH

Kuenstlerhaus Bethanien

Århus / 2025

JUST ABOUT AND NEVER

SpLab

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PARADE

Romeropaprocki

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THRESHOLDS

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Seoul / 2026

THE COLLAPSE MANUAL_THE POST-HUMAN FIELD (GROUP SHOW)

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MOONLIT BOTANICAL COLOUR THEORIES

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Dornbirn / 2026

47°24’35’’N / 9°44’20’’E

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Vorarlberg / 2026

SUPPORTED FILES

Galerie Brugger

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CHEWING GUM IN THE MOTHERBOARD

La Volonte 93

/ 2025

LOST ENCOUNTERS, THEY CLING

PARALLEL VIENNA

Seoul / 2025

THIRD SKIN

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THE CREEPER IN THE DUSK

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Hurup / 2026

THE JEWEL BOX

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FROM AN UPCOMING SERIES

Olomouc / 2026

SIGNAL V

Telegraph Gallery

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ROT SUMMER

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Ethereal Robes of Vulnerability exhibition view

Vilnius District Municipality / 2026

ETHEREAL ROBES OF VULNERABILITY

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Słupsk / 2026

A GENTLE KISS ON A DOUBLE FOREHEAD

BGSW / Baszta

Poznań / 2026

WE ARE DEEPLY ALARMED AND EXPRESS OUR GRAVE CONCERN

DOMIE

Poznań / 2026

MAKE ME YOURS

Łęctwo

Brussels / 2026

FIRST DATE

Lodovico Corsini

Berlin / 2026

CAGED MOVEMENTS

NADAN Berlin

Istanbul / 2026

ROOTKIT

BENTA

Ljubljana / 2026

ACCOMPLICE

Cukrarna

Montpellier / 2025

METEMPSYCHOSIS

MO.CO. Montpellier Contemporain

London / 2025

CHOICE DIRT

Xxijra Hii

Lisbon / 2025

THE STAGES OF GRIEF

PADA Studios

/ 2024

TRANSPARENCY REPORT

Shanghai / 2024

CONTEMPT

Capsule Shanghai

Berlin / 2023

HUMAN IS

Schinkel Pavillion

/ 2025

DEEP SEA FISH

Diesel Art Gallery

Berlin / 2025

THE NEOLIBERAL URGE TO CURATE A FRIENDSGROUP

ACUD Galerie

Vienna / 2025

SWEET GARDEN OF VANISHED PLEASURES

dieAngewandte

Arnsberg / 2025

VITALS VAPORS

Kunstverein Arnsberg

Hamburg / 2025

DIE SPRACHE DER VÖGEL

Westwerk Hamburg

Prague / 2025

WITH FEATHERS AND FLESH

Holešovická Šachta

Seoul / 2026

THE LANGUAGE OF THE ENEMY

Artsonje Center

London / 2025

THE SIGNAL. THE NOICE

Greatorex Street E1

Berlin / 2026

COMMON LANDSCAPE(S) (GROUP SHOW)

ACUD Galerie

Dortmund / 2026

CALL ME WE

SUPERRAUM

Kraków / 2026

THE SHAPE OF A SCAR

Bonifraterska 3/1

Lisbon / 2026

LULLABY BLOSSOMS

Cosmos CAC

AUSSERKÖRPERLICHE ERFAHRUNG: WANDERING SPIRIT exhibition view

New York City / 2026

AUSSERKÖRPERLICHE ERFAHRUNG: WANDERING SPIRIT

Management NYC

Paris / 2025

PULSES WITHIN

Ds Galerie

Madrid / 2025

DESIRING MACHINES

RÍO & MEÑAKA

NEW YORK CITY (NY), UNITED STATES / 2025

EXUVIAE

Management / Stine Deja and Mary-Audrey Ramirez

While exuviae doesn’t care much for linear time, it responds directly to the moment we’re in: one where human centrality is dissolving under ecological pressure and technological acceleration. As a viewer, you are thrown into a timeline where human history - on a species scale - has already fractured. Stepping into this world feels like studying the past from a far future, trying to piece together a cohesive narrative. Everything’s a little off, a little funny – but the kind of funny that leaves a pit in your stomach.

Artists Stine Deja and Mary-Audrey Ramirez, bring together two different species of speculation: Deja through suspended, digitized stasis; Ramirez through organic, erratic evolution. A dark thread of humor runs through both. Neither of them takes itself too seriously but both worlds seem to unfold in the long shadow of a humanity that no longer feels central, or even intact.

In what Claire Colebrook calls “twilight of the Anthropocene idols,” we face the crumbling of our species’ self-image - not as apex thinkers but as one adaptive system among others. Both artists work with this collapse, extending the legacy of post-internet aesthetics towards a kind of speculative anthropology, one that navigates the disorientation of non-centrality through hyper-rendered bodies and looping simulations.

Deja’s work imagines a future where humanity decided to hit pause on life. Not completely stopped, just suspended. In Tomorrow’s Heads, made with Danish author Ida Marie Hede, human heads are stored for future use, cryogenically frozen, waiting for their second act. They are like any other organs in a freezer except they hold on to their consciousness.

This dream is as old as human civilization: cheat death. But Deja draws attention to the logistics of this fantasy: what is the way to get there? Who does the freezing? Who is cleaning the tanks? Who is paying the power bill? The tone is clinical and eerie, evoking a theatrical absurdity found in an Ionesco play. Deja’s world highlights the sleek contrasts between human and technological evolution. These aesthetic choices reflect a nervousness about how much we want to control and preserve.

On the other hand, Ramirez’s world couldn’t care less about preservation or control. Her blobby, insectoid creatures - some recognizably cute, some totally unplaceable - aren’t waiting for any human timeline to fulfill their purpose. They’re constantly becoming. Their names – like Schminkie or Baby Jesus – suggest an anthropomorphic presence, but any sense of meaning dissolves just as quickly.

While they have strong cryptid energy, these creatures also echo real-world biological organisms: the indestructible Tardigrades, who can suspend their metabolism for years and survive exposure to space, yet otherwise live peacefully in mosses and lichens; or the Demodex mites—tiny worm-like beings buried in our pores and lashes, crawling out at night to mate, feast on sebum, and vanish before morning.

Ramirez’s creatures seem to be pulled from a dream, or from a footnote in a speculative biology journal. In this context, they appear as if they’ve been evolving alongside humanity the entire time, indifferent to its obsession with preserving and sustaining these cryogenic businesses. It’s implied that these creatures’ evolution remained unnoticeable, and perhaps took over completely when humans succumbed to their obsessive myth of self-preservation. Completely indifferent to us, they continued thriving in the margins, slowly taking over.

The works construct this exhibition like a mirror house built from broken glass, distorting a reflection just enough to feel familiar but awfully uncanny, a little grotesque, and strangely funny. Ramirez ripples where Deja freezes. If one holds time still, the other lets it slide sideways. Both seem to be asking the same core question: how do we relate to the unknown?

Forget monuments, archives, or passed-down stories. The future isn’t elsewhere - it’s already here, between these gallery walls, rendered in digital processes. Here, screens flicker, files are loading, and bodies do not breathe - they loop.

Stine Deja (b. 1986 in Denmark). Lives and works in Copenhagen) received an MA from Royal College of Art. Solo exhibitions include Grave Matter at Ringsted Galleriet, Ringsted, Full Circle at Florit Florit, Palma; Heavy Render at OTP Copenhagen; Dawn Chorus, Vestjyllands Kunstpavillion, Videbæk, Denmark Cold Sleep at Tranen, Gentofte; Last Resort at kim? Contemporary Art Centre, Riga; Hard Core, Soft Bodies at Schimmel Projects, Dresden, and has executed several site-specific projects internationally. Deja’s work has been published in Cura, Nasty Magazine, Coeval Magazine, Kunstforum, Overstandard and many other publications. Her work is included in the collections of Arken, The New Carlsberg Foundation, The Danish Arts Foundation, Esbjerg Art Museum.

Mary-Audrey Ramirez (b. 1990 Luxembourg-City, Luxembourg. Lives and works in Berlin) studied under Thomas Zipp at the University of the Arts in Berlin Germany from 2010 to 2016. In 2019 she was the recipient of the prestigious Edward Steichen Award in Luxembourg for her textile-based sculptural and pictorial works. Her works have been shown in both solo and group exhibitions at institutions such as Casino Luxembourg - forum d’art contemporain, Luxembourg, Triennale für Kleinplastik, Fellbach, Max-Ernst-Museum, Brühl, Kunsthalle Gießen, Gießen, Kunstpalast, Düsseldorf, Dortmunder Kunstverein, Dortmund, TRAUMA, Berlin, Kai10, Arthena Foundation, Düsseldorf, Haus Mödrath, Kerpen Polansky Gallery, Prag und MARTINETZ, Cologne, Esch2022+ARS ELECTRONICA, Luxembourg/Linz. Her work is included in the collections of Kunstpalais Erlangen, Kunstmuseum Heidenheim, LBBW Bank, and the Kai10/Arthena Foundation. Her public commissions include the Grundschule, Fehrbelliner Tor, Berlin, and GEOMAR, Centre for Ocean Research, Kiel, Germany. Ramirez’s work has been published in Cura, Kunstforum, Monopol, Artforum, Sleek Magazine, Kaleidoscope Magazine, and her monograph have been published by Distanz.

exuviae installation view 2 — Installation view.

exuviae installation view 3 — Installation view.

exuviae installation view 4 — Installation view.

exuviae installation view 5 — Installation view.

exuviae installation view 6 — Installation view.

exuviae installation view 7 — Installation view.

exuviae installation view 8 — Installation view.

exuviae installation view 9 — Installation view.

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