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Paris / 2026

WHO COMPOSES THE SONG OF THE CRICKETS?

Galerie Suzanne Tarasieve, Paris, France

Berlin / 2026

CAGED MOVEMENTS

NADAN Berlin

Cergy / Paris / 2026

NIKE, TA MÈRE (WILL FALL ON YOU)

ENSAPC / CROUS Paris

Oslo / 2026

STIAN EIDE KLUGE AT ROTHHAUS, KUNSTNERNES HUS, OSLO

Kunstnernes Hus (Rothaus)

Poznań / 2026

TANGLED IN SHADOWS FROM AN OLD DRAWER

Łęctwo

Munich / 2026

DOUBLE STAR

nouveaux deuxdeux

Istanbul / 2026

ROOTKIT

BENTA

New York / 2026

ACTUALIZATION MACHINE

Silke Lindner

Warsaw / 2026

HAUS DER LÜGE

Przeciąg Gallery

Bucharest / 2026

DISLOCATION

Arsmonitor

Ljubljana / 2026

ACCOMPLICE

Cukrarna

Düsseldorf / 2026

DON'T TRUST THE RABBIT

SSK Düsseldorf

Düsseldorf / 2026

PROFUSION ANTAGONIST WISHLIST

PAW

Tokyo / 2026

THE BEAUTIFUL REMAINS

Kohtoh

Brussels / 2026

FIRST DATE

Lodovico Corsini

Vienna / 2026

TERRITORIES OF EXTRACTION

Arka Arka

Mexico City / 2026

AXES

Alvarez Chida

Paris / 2026

MAIN DE FER, GANT DE VELOURS

Association NOEMI- Espace Brownstone

Kraków / 2026

THE SHAPE OF A SCAR

Bonifraterska 3/1

Warsaw / 2026

PARACHUTE

Przeciag Galeria

Lisbon / 2026

LULLABY BLOSSOMS

Cosmos CAC

Paris / 2026

CHEWING GUM IN THE MOTHERBOARD

La Volonte 93

Vorarlberg / 2026

SUPPORTED FILES

Galerie Brugger

London / 2026

EVEN SPECTRES CAN TIRE

Xxijra Hii

Seoul / 2026

MIMICKING ETERNITY

Studiya Gallery

Dornbirn / 2026

47°24’35’’N / 9°44’20’’E

Kunstraum Dornbirn

Dortmund / 2026

CALL ME WE

SUPERRAUM

Buenos Aires / 2026

COAGVLA

Acéfala Galería

Offenbach am Main / 2026

CALL SOMEONE

Ayayay

Prague / 2026

SOFT_SIGHS SYNTHESIS

Clauda Cz

Nurnberg / 2026

LIMINALITY

Adbk Nuernberg

New York City / 2026

AUSSERKÖRPERLICHE ERFAHRUNG: WANDERING SPIRIT

Management NYC

Berlin / 2026

COMMON LANDSCAPE(S) (GROUP SHOW)

ACUD Galerie

Leipzig / 2026

MOONLIT BOTANICAL COLOUR THEORIES

Jochen Hempel

Sardinia / 2026

BLUE BLOODED

Museo Nivola

Seoul / 2025-2026

GROWING BODY

Studiya Gallery

Seoul / 2026

THE COLLAPSE MANUAL_THE POST-HUMAN FIELD (GROUP SHOW)

Aod Museum

Graz / 2026

DOUBLED PRESENCE IN A DISEMBODIED SPACE

Trost Spc

Seoul / 2025

MASSAGE PLATZ

Shower

Brussels / 2025-2026

WORK OF PROOF

FLⒶT$

Munich / 2026

MOTIONS TO UNFURL

Gallery Thetigerroom

Lisbon / 2025

THE STAGES OF GRIEF

PADA Studios

Dornbirn / 2026

BUCOLICA

Kunstraumdornbirn

Brescia / 2025-2026

INCOMMUNICABILITY IS ITSELF A SOURCE OF PLEASURES

The Address

Berlin / 2025

WEAVING BACK TO COMMON GROUNDS

ACUD Galerie

Milan / 2025

MYTHS FROM SMOLDERING SKIES

Limbo Contemporary

Berlin / 2025

THRESHOLDS

Carlier | Gebauer

Berlin-Schöneberg / 2025

PRESENCE BY PROXY

Schutzenverein

Paris / 2025

TISSU EXPANSÉ

Europa NYC

Paris / 2025

PULSES WITHIN

Ds Galerie

Paris / 2025

PARADE

Romeropaprocki

Göteborg / 2025

TOMORROW'S FORECAST, WHITE CLOUDS GREY DOGS

Galleri Box

Kraków / 2025

CRASH PÆNDEMONIA

Jak Zapomniec

Shanghai / 2025

A BLADE UNHELD

Galerie Dengyun

Milan / 2025

FANTASY VANISHES IN FLESH

Francesca Minini

Seoul / 2025

THIRD SKIN

Dive Seoul Art

Madrid / 2025

DESIRING MACHINES

RÍO & MEÑAKA

Białystok / 2025

PARADISE ROT

Galeria Arsenal

Seoul / 2026

THE LANGUAGE OF THE ENEMY

Artsonje Center

Prague / 2025

WITH FEATHERS AND FLESH

Holešovická Šachta

Seoul / 2025

TACTICS FOR AN ERA (GROUP SHOW)

K&L Museum

Busan / 2025

AFTERLIFES

Hongti Artcenter

London / 2025

THE SIGNAL. THE NOICE

Greatorex Street E1

/ 2025

SWEET WORLD 1

Sweet World Gallery

Bratislava / 2025

BEGONE ESTRONE

Medium Gallery

London / 2025

CHOICE DIRT

Xxijra Hii

Hamburg / 2025

DIE SPRACHE DER VÖGEL

Westwerk Hamburg

Brno / 2025

LOVE

Zaazrak|Dornych

New York City (NY) / 2025

EXUVIAE

Management

Berlin / 2025

EDGES THAT BLUR, BODIES THAT FOLD INTO SOMETHING OTHER

ACUD

Warsaw / 2025

THE LAST DRAWER ON THE LEFT

Przeciag Galeria

Århus / 2025

JUST ABOUT AND NEVER

SpLab

/ 2025

THE ROOM I

Ifö Center

Santiago / 2025

ENCUENTRO

Sagradamercancia

Arnsberg / 2025

VITALS VAPORS

Kunstverein Arnsberg

New York / 2025

LUCA

Management NYC

Bratislava / 2025

DISTANT, ENDLESS HUM

Vunugallery

Milan / 2025

METAL MEMORY

Limbo Contemporary

Kraków / 2025

WHEN DOORS CLOSE, WALLS RISE

Jak Zapomnieć Gallery

Berlin / 2025

GREEN GROWTH

Kuenstlerhaus Bethanien

Vienna / 2025

SWEET GARDEN OF VANISHED PLEASURES

dieAngewandte

Milan / 2025

FALENE

Limbo Contemporary

Berlin / 2025

THE NEOLIBERAL URGE TO CURATE A FRIENDSGROUP

ACUD Galerie

Montpellier / 2025

METEMPSYCHOSIS

MO.CO. Montpellier Contemporain

Ljubljana / 2025

TAR STAR

Cukrarna Art

Jung-gu, Seoul / 2025

FARM

Bio Gallery

/ 2025

DEEP SEA FISH

Diesel Art Gallery

Innsbruck / 2025

TIPPING POINT PHANTOMS

Künstlerinnenvereinigung Tirol

/ 2025

LOST ENCOUNTERS, THEY CLING

PARALLEL VIENNA

Stockholm / 2024-2025

DIALECTS OF THE DEEP

Bonniers Konsthall

Warsaw / 2024-2025

GRASS ON ROADSIDE 4

Przeciąg Gallery

London / 2024

LIMO

The Split Gallery

Prague / 2024

PETRICHOR

Prám

Wroclaw / 2024

EUTROPHY

Bulvary

Geneva / 2024

DOWN THE RABBIT HOLE, 2024

Halle Nord Geneve

Berlin / 2023

HUMAN IS

Schinkel Pavillion

Barcelona / 2024-2025

LUNAR ENSEMBLE FOR UPRISING SEAS

Macba Barcelona

London / 2024

TOTAL INTERNAL REFLECTION

Zerui G

Shanghai / 2024

CONTEMPT

Capsule Shanghai

Tartu / 2024

ENTER WOODLAND SPIRITS

Estonian Literary Museum and the University of Tartu Natural History Museum

Budapest / 2024

SKELETAL SCENES

Ani Molnár Gallery

/ 2024

METEMPSYCHOSIS: THE PASSION OF PNEUMATICS

Schinkel Pavillon

Vilnius / 2024

KETEROS

Meduza Fyi

/ 2024

EXTERNAL CRYOGENICS

Hyperlink Athens

/ 2024

TRANSPARENCY REPORT

/ 2024

BIDIM BLO!

Basisfrankfurt

/ 2023

KASSANDRA

Kunsthalle Ost

/ 2023

THE WORM AT THE CORE

SET

Lisboa / 2023

A CERTAIN INSTANCE OF VERRITION

Leal Rios Foundation

Dornbirn, Austria / 2026

47°24’35’’N / 9°44’20’’E

Kunstraum Dornbirn / Davide Allieri

47°24’35’’N / 9°44’20’’E - coordinates that mark a real location while at the same time resembling an encrypted message. Whoever follows them arrives at Kunstraum Dornbirn. Yet what unfolds here is not a clearly mappable site, but rather a liminal state. Davide Allieri transforms the historic industrial hall into the point of departure for an enigmatic environment: in the pale haze of a hostile landscape, a luminous portal appears in the form of a large circular sculpture - a possible passage, a technological relic, or a metaphysical sign. Nearby rises a figure approximately four metres long, reminiscent of a drone or a mech. Countless cables run through the space, stretching across floor and architecture to form a network of technical infrastructures whose function remains unclear. Loose ends suggest energy and connection, yet nothing appears to be activated. Emanating from the portal, a pervasive sound settles over the scene like an invisible layer. Sound, light and darkness intensify the feeling of a permanent in-between - a condition in which possibilities remain open yet undetermined. Are we at the beginning of a new epoch - or at the end of a former one?

The immersive installation evokes the atmosphere of an apocalyptic science-fiction narrative, but without narrative clarity. Reality and fiction, past and future, collapse and possibility do not exist as opposites but as overlapping layers. Allieri does not present a conventional dystopian space; he is not interested in romantic ruins or familiar end-of-the-world clichés. What stands at the centre is not catastrophe itself, but what remains afterwards: a present in suspension. Forms persist, yet their original function appears suspended. The bodies are absent. Movement is halted - and yet physically perceptible: Francesco Peccolo develops a specially composed sound design, a low-frequency, vibrating drone interrupted by metallic resonances and fragmented impulses that recall distant signals or the echo of an autonomous machine. The sound oscillates between mechanical precision and atmospheric vastness. It creates an acoustic suspension in which time stretches, orientation dissolves, and space becomes perceptible as a resonating body of potential that evokes uncertain expectation. Installation, sculpture, architecture and sound intertwine into a dense, bodily experience.

What manifests within this environment can be read as the trace of a broken promise. The grand narratives of modern progress have lost their binding force - and with them the memory of the origins of those visions of the future that once provided orientation. A present unfolds that lacks any clear direction. The future loses its function as a projection surface for hope or action; it remains indeterminate. For Allieri, this constellation resonates with Marc Augé’s concept of the non-place, which he shifts into a speculative dimension. His spaces are precisely located and yet neither temporally fixed nor narratively conclusive. Time does not appear cyclical but linearly extended - an elongation of the present without clearly defined origin and without discernible goal. Within this non-time and non-place, a peculiar tension emerges: one finds oneself on a threshold, neither completely inside nor outside the event. It is precisely here that Allieri positions his work - not as dystopia, but as a simulacrum of a possible reality, subtly displaced and decoupled.

The entire environment is conceived specifically for the architecture of Kunstraum Dornbirn, which is shaped by the history of the Vorarlberg metal industry. It forms a resonant framework for Allieri’s narrative, in which the past remains present as a material trace. The monumental sculptures are fabricated from fibreglass - the artist’s preferred material. What is decisive is not only their aesthetic appearance but their inner condition. Allieri conceives his sculptures as shells, as containers. They are not solid but hollow. Within this emptiness lies their conceptual core. A solid sculpture remains an object; an empty one contains space. It preserves enclosure and protection while carrying both memory and potential. Fibreglass allows for extremely thin yet resilient surfaces. The bodies appear technically precise and almost ghostlike - present and yet dematerialised. Form endures, while the interior appears as an indeterminate field of possibility.

Formally, the works oscillate between machine, organism and architectural fragment. They are at once alluring and uncanny, beautiful and threatening, dead and yet charged with latent energy. Their aesthetic draws on references to animated, human-operated drones as well as fragments of contemporary motorcycle and car body parts. Through spatial collage, dysfunctional structures emerge that resemble autonomous creatures. They point to an invisible human presence - a subject that is absent and only reimagined in the act of observation.

By shielding the space from daylight and installing an artificial atmosphere of light and sound, Allieri fundamentally transforms the hall. From the springlike municipal garden, one steps into another sphere - perhaps into an “afterwards” whose meaning remains open. The precise coordinates of the exhibition title anchor this environment firmly in reality, while simultaneously withdrawing it from any clear temporal determination. Whether the portal marks the beginning of a new narrative or the echo of a fallen civilisation remains undecided. The exhibition deliberately leaves this question to its visitors - confronting them with perhaps the most fundamental one of all: What does the future mean when it has lost its direction and the memory of its own promise?

47°24’35’’N / 9°44’20’’E installation view 2 — Installation view. Photo: Günter Richard Wett

47°24’35’’N / 9°44’20’’E installation view 3 — Installation view. Photo: Günter Richard Wett

47°24’35’’N / 9°44’20’’E installation view 4 — Installation view. Photo: Günter Richard Wett

47°24’35’’N / 9°44’20’’E installation view 5 — Installation view. Photo: Günter Richard Wett

47°24’35’’N / 9°44’20’’E installation view 6 — Installation view. Photo: Günter Richard Wett

47°24’35’’N / 9°44’20’’E installation view 7 — Installation view. Photo: Günter Richard Wett

47°24’35’’N / 9°44’20’’E installation view 8 — Installation view. Photo: Günter Richard Wett

47°24’35’’N / 9°44’20’’E installation view 9 — Installation view. Photo: Günter Richard Wett

47°24’35’’N / 9°44’20’’E installation view 10 — Installation view. Photo: Günter Richard Wett

47°24’35’’N / 9°44’20’’E installation view 11 — Installation view. Photo: Günter Richard Wett

Related Exhibitions

Ljubljana / 2026