Der Kopf ist rund exhibition installation view

Klaus in Vorarlberg / 2026

Der Kopf ist rund, damit das Denken die Richtung wechseln kann

Galerie Brugger

May 22 — June 01, 2026

Axial-Core

Leo Pum @La Térmica, Málaga KRVCE festival

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AS THE SAP RISES

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NEXUS, OPEN STUDIO

Cité internationale des arts

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FLOOD

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FIGHT OR FLIGHT: SEX

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WHAT WE SEE, WHAT LOOKS BACK AT US

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DER KOPF IST RUND, DAMIT DAS DENKEN DIE RICHTUNG WECHSELN KANN

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OLD SNAG

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ACTUALIZATION MACHINE

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PROFUSION ANTAGONIST WISHLIST

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WHEN DOORS CLOSE, WALLS RISE

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A BLADE UNHELD

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METEMPSYCHOSIS: THE PASSION OF PNEUMATICS

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ENTER WOODLAND SPIRITS

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TISSU EXPANSÉ

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ENCUENTRO

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THE LAST DRAWER ON THE LEFT

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FANTASY VANISHES IN FLESH exhibition view

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FANTASY VANISHES IN FLESH

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WEAVING BACK TO COMMON GROUNDS

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BUCOLICA

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PARACHUTE

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CALL SOMEONE

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PARADISE ROT

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TAEWON AHN

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THE SPIRIT IS WILLING BUT THE FLESH IS WEAK

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SUBSURFACE

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ANCIENT GIRL STARTER PACK

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I SEE YOU FALLING IN MY DEN

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THE ROOM IS EMPTY, BUT PREGNANT

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inter.pblc

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TÁNTALO

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THE STASIS GARDEN (OR PIXIES MEMORIES)

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JOY RIDE

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PASSENGER

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TERRITORIES OF EXTRACTION

Arka Arka

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TANGLED IN SHADOWS FROM AN OLD DRAWER

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HAUS DER LÜGE

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THE BEAUTIFUL REMAINS

Kohtoh

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EDGES THAT BLUR, BODIES THAT FOLD INTO SOMETHING OTHER

ACUD

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TOMORROW'S FORECAST, WHITE CLOUDS GREY DOGS

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KASSANDRA

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A CERTAIN INSTANCE OF VERRITION

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KETEROS

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PETRICHOR

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FARM

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THE ROOM I

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BEGONE ESTRONE

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CRASH PÆNDEMONIA

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SOFT_SIGHS SYNTHESIS

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EVEN SPECTRES CAN TIRE

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TANGERINE REVERIE

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NYMPHENBRUNNEN

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24 PRELUDES, OP. 34: NO. 22 IN G MINOR (ADAGIO)

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FAULT LINES

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WHO COMPOSES THE SONG OF THE CRICKETS?

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DOUBLE STAR

nouveaux deuxdeux

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DISLOCATION

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GRASS ON ROADSIDE 4

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EXUVIAE

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Incommunicability is itself a source of pleasures exhibition view

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INCOMMUNICABILITY IS ITSELF A SOURCE OF PLEASURES

The Address

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BIDIM BLO!

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THE WORM AT THE CORE

SET

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SKELETAL SCENES

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LIMO

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FALENE

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LUNAR ENSEMBLE FOR UPRISING SEAS exhibition view

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LUNAR ENSEMBLE FOR UPRISING SEAS

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METAL MEMORY

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GREEN GROWTH

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Århus / 2025

JUST ABOUT AND NEVER

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PARADE

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THRESHOLDS

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THE COLLAPSE MANUAL_THE POST-HUMAN FIELD (GROUP SHOW)

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47°24’35’’N / 9°44’20’’E

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SUPPORTED FILES

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LOST ENCOUNTERS, THEY CLING

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THE CREEPER IN THE DUSK

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THE JEWEL BOX

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FROM AN UPCOMING SERIES

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SIGNAL V

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ROT SUMMER

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ETHEREAL ROBES OF VULNERABILITY

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A GENTLE KISS ON A DOUBLE FOREHEAD

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Poznań / 2026

WE ARE DEEPLY ALARMED AND EXPRESS OUR GRAVE CONCERN

DOMIE

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MAKE ME YOURS

Łęctwo

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FIRST DATE

Lodovico Corsini

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CAGED MOVEMENTS

NADAN Berlin

Istanbul / 2026

ROOTKIT

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Ljubljana / 2026

ACCOMPLICE

Cukrarna

Montpellier / 2025

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CHOICE DIRT

Xxijra Hii

Lisbon / 2025

THE STAGES OF GRIEF

PADA Studios

/ 2024

TRANSPARENCY REPORT

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CONTEMPT

Capsule Shanghai

Berlin / 2023

HUMAN IS

Schinkel Pavillion

/ 2025

DEEP SEA FISH

Diesel Art Gallery

Berlin / 2025

THE NEOLIBERAL URGE TO CURATE A FRIENDSGROUP

ACUD Galerie

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SWEET GARDEN OF VANISHED PLEASURES

dieAngewandte

Arnsberg / 2025

VITALS VAPORS

Kunstverein Arnsberg

Hamburg / 2025

DIE SPRACHE DER VÖGEL

Westwerk Hamburg

Prague / 2025

WITH FEATHERS AND FLESH

Holešovická Šachta

Seoul / 2026

THE LANGUAGE OF THE ENEMY

Artsonje Center

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THE SIGNAL. THE NOICE

Greatorex Street E1

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ACUD Galerie

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CALL ME WE

SUPERRAUM

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THE SHAPE OF A SCAR

Bonifraterska 3/1

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LULLABY BLOSSOMS

Cosmos CAC

AUSSERKÖRPERLICHE ERFAHRUNG: WANDERING SPIRIT exhibition view

New York City / 2026

AUSSERKÖRPERLICHE ERFAHRUNG: WANDERING SPIRIT

Management NYC

Paris / 2025

PULSES WITHIN

Ds Galerie

Madrid / 2025

DESIRING MACHINES

RÍO & MEÑAKA

POZNAŃ, POLAND / 2026

WE ARE DEEPLY ALARMED AND EXPRESS OUR GRAVE CONCERN

DOMIE / Vitalii Shupliak

The exhibition emerges from the tension between the idealization of a European community and the experience of its erosion. A space that promises security and solidarity increasingly reveals its own fractures: in its responses to wars, migration, social crises, and the consequences of political decisions. In this context, questions of agency and responsibility acquire an increasingly sharp dimension.

The exhibition space unfolds like an organism: a situational construction, changeable and open to reconfiguration, similar to the self-organizing ocean in Stanisław Lem's novel Solaris. Mirrored, fiery forms reflect the viewer and the surroundings, drawing them into an encounter with a projection and with their own reaction to it. In the context of growing political tensions and radicalization, this figure of "otherness" increasingly becomes the foundation of counter-narratives and a tool for producing fear, borders, and exclusion. Shupliak asks where, in whom, and why we begin to see the stranger.

The exhibition resembles a provisional playground that may turn into a barrier. The artist offers the possibility of play, arrangement, and observation, yet this is not an innocent situation. Every movement takes place among reflections, sharp edges, and mutual acts of watching. This play is marked by an awareness of one's own position.

Another part of the exhibition is a drawing created with a lead toy soldier, which the artist uses to rub imprints of coins. One of its strongest connotations is the price of European security. It is no longer only about how much we are ready to pay for it. What becomes more important is who ultimately becomes the payer.

Above the space looms the artist's hand holding an object composed of two different euro coins. Shupliak appears to offer a gift, but through the artistic gesture the coins lose their functionality and fall out of economic circulation. The fleshy, corporeal image of the hand can be read in multiple ways: as a suggestion that the fate of Europe is in our hands, or, conversely, that it remains in the hands of selected, privileged, essentially male subjects. The gesture of reconstructing the symbol of the EU leads to a question of resource distribution. Is the European community, living in relative security, ready to reach out and share its capital with those it perceives as strangers?

The exhibition touches upon fragility, the weight of decisions, and the price of European security, but it does not lead reflection solely toward dystopian scenarios. Its modular structure activates the possibility of creating new arrangements, constructions, and meanings. What has been cut, separated, or deprived of its original function holds the potential for reconfiguration. Places of rupture may become places of contact, and cracks may indicate where a more stable and lasting form can be created. This is not an easy task. It remains possible.

We are deeply alarmed and express our grave concern installation view 2 — Installation view. Photo: Mikołaj Wojnar

We are deeply alarmed and express our grave concern installation view 3 — Installation view. Photo: Mikołaj Wojnar

We are deeply alarmed and express our grave concern installation view 4 — Installation view. Photo: Mikołaj Wojnar

We are deeply alarmed and express our grave concern installation view 5 — Installation view. Photo: Mikołaj Wojnar

We are deeply alarmed and express our grave concern installation view 6 — Installation view. Photo: Mikołaj Wojnar

We are deeply alarmed and express our grave concern installation view 7 — Installation view. Photo: Mikołaj Wojnar

We are deeply alarmed and express our grave concern installation view 8 — Installation view. Photo: Mikołaj Wojnar

We are deeply alarmed and express our grave concern installation view 9 — Installation view. Photo: Mikołaj Wojnar

We are deeply alarmed and express our grave concern installation view 10 — Installation view. Photo: Mikołaj Wojnar

We are deeply alarmed and express our grave concern installation view 11 — Installation view. Photo: Mikołaj Wojnar

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